One Day
One day after another—
Perfect.
They all fit.
–By Robert Creeley, from The Collected Poems of Robert Creeley: 1945-1975. Copyright © 2006 by Robert Creeley.
Isn't it self explanatory?
In memory of Roger Ebert, June 18, 1942 – April 4, 2013.
Ave Maria
–Frank O’Hara, from Lunch Poems. Copyright © 1964 by Frank O’Hara.
April Rain Song
Let the rain kiss you.
Let the rain beat upon your head with silver liquid drops.
Let the rain sing you a lullaby.
The rain makes still pools on the sidewalk.
The rain makes running pools in the gutter.
The rain plays a little sleep-song on our roof at night—
And I love the rain.
–Langston Hughes, from Collected Poems. Copyright © 1994 by the Estate of Langston Hughes.
Because it’s raining today, and it’s the start of April, and it’s National Poetry Month, let’s stand out on the deck, hold the bucket out, let it fill with poems, and get a bit drenched.
As I did last April, I’ll update this post every day this month with a link to a different poem.
April 1 ~ April Rain Song ~ Langston Hughes
April 2 ~ Instructions for how to get ahead of yourself while the light still shines ~ Jenny Bornholdt
April 3 ~ Things keep sorting themselves ~ Jane Hirshfield
April 4 ~ Thinking of Madame Bovary ~ Jane Kenyon
April 5 ~ Ave Maria ~ Frank O’Hara
April 6 ~ Gic to Har ~ Kenneth Rexroth
April 7 ~ Sphere – Kate Gale
April 8 ~ One Day ~ Robert Creeley
April 9 ~ The Mower’s Song ~ Andrew Marvell
April 10 ~ The Things ~ Donald Hall
April 11 ~ Here ~ Grace Paley
April 12 ~ General Prologue, The Canterbury Tales ~ Geoffrey Chaucer
April 13 ~ Lovers on Aran ~ Seamus Heaney
April 14 ~ I Started Early – Took my Dog ~ Emily Dickinson
April 15 ~ Oystering ~ Richard Howard
April 16 ~ A River ~ John Poch
April 17 ~ Rules for Captain Ahab’s Provincetown Poetry Workshop ~ Martin Espada
April 18 ~ Early Morning: Cape Cod ~ May Swenson
April 19 ~ The Peace of Wild Things ~ Wendell Berry
April 20 ~ A Recipe for Whisky ~ Ron Butlin
April 21 ~ Pied Beauty ~ Gerard Manley Hopkins
April 22 ~ Earth Day ~ Jane Yolen
April 23 ~ A Cold Spring ~ Elizabeth Bishop
April 24 ~ Musée des Beaux Arts ~ W. H. Auden
April 25 ~ Musée de Beaux Arts Revisited ~ Billy Collins
April 26 ~ Ulysses ~ Alfred, Lord Tennyson
April 27 ~ Edward Hopper’s New York Movie ~ Joseph Stanton
April 28 ~ Some days (For Paula) ~ James Baldwin
April 29 ~ A Dish of Peaches from Russia ~ Wallace Stevens
Arpil 30 ~ The Shape of the Air Around the Girl in the Birchbark Canoe ~ Annie Dillard
I’ve been thinking about Grace Paley all week.
Born in 1922, she would have be 90 years old this past Tuesday.
She pops into my mind for quick visits all year round, when making a warm drink on a cold morning, or stopping by the post office up on the hill, or trying to bend a written line to my will, gently and forcefully.
But when her birthday rolls around each year, I pull out copies of her books, dive into her words, look at her picture, think, What would Grace write on a chilly, cloud-blown day in Vermont like this?
I don’t remember when we first met. Sometime after we moved to this little Vermont town that she also called home. I don’t think we were ever officially introduced. Someone probably pointed her out to me, from a distance. I simply came to know that that short-statured, wild-white-haired presence was Grace. At town meeting, at the village store, at the daycare that our daughter and her granddaughter attended,
While waiting for the kids to come out to the coat room at the end of the day, she and I would chat idly about the weather, or an upcoming town event, my heart beating wildly, amazed that this vibrant, tender, fierce poet was standing just a foot away from me, in her long winter coat, hair flying out from under her knit cap.
In person, we knew each other as acquaintances, neighbors. In private, I knew her words, her stories, and I admired her endlessly.
Grace wrote about war, and peace, and justice. She wrote about mothers, and fathers, and children. She wrote about youth and age. She seemed quiet and mild on the surface, but read her poems and stories and you’ll know she was anything but. And she didn’t just write: she protested, she marched, she spoke out.
Once, at a peace vigil at the local church at the top of the hill, her lone voice broke the long meditative silence, quietly singing “Down By the Riverside”.
Gonna lay down my sword and shield
Down by the riverside
Down by the riverside
Down by the riverside
Gonna lay down my sword and shield
Down by the riverside
Ain’t gonna study war no more.
The rest of us joined her.
That’s the way it was.
She was quietly loud.
When we were together, our two quietnesses were a knitted afghan that warmed us but kept us insulated from each other. My quiet was shyness and a worry of offending. Hers? I can’t say, but I assumed it was contentedness. No need to talk. Just be.
I sometimes regret that I never told her how much I admired her. But she was probably used to people saying things like that. She might have laughed, or, more likely, shrugged modestly. I don’t know.
I would have gone home, and thought about being a writer. She would have gone home, and willed words onto the page that we would all read years later. Grounding, truthful words about how hard and sad this life is, and how wonderful, too.
I tried to find a short video of her reading some poems, but couldn’t find anything I really loved. If you have the time, though, there’s this wonderful, long video of Grace reading several of her stories and poems in her gorgeous New York accent. Her part of the video starts about 18 minutes in.
Take some time with her. She’ll make you laugh. And surprise you. And give you hope.
This Hill
this hill
crossed with broken pines and maples
lumpy with the burial mounds
of uprooted hemlocks (hurricane
of ‘thirty-eight) out of their rotting hearts
generations rise trying once more
to become the forest
just beyond them
tall enough to be called trees
in their youth like aspen a bouquet
of young beech is gathered
they still wear last summer’s leaves
the lightest brown almost translucent
how their stubbornness decorates
the winter woods
on this narrow path
ice holds the black undecaying
oak leaves in its crackling grip
oh it’s become too hard to walk
a sunny patch I’m suddenly
in water to my ankles April
–Grace Paley (from Fidelity, 2008)
Well, our month of poems is over.
As promised, I’ve posted a link to a different poem every day for April.
May is here, and that’s just as good a month for poetry, isn’t it, what with its budding flowers and showering storms?
And then there’s June, with its roses and graduation and brides. July’s picnics, parades, and strawberry shortcakes. August’s elongated days of warmth by the river.
And let’s not even talk about September and October, which are almost too poetic with their dwindling, slanted light, chilling evenings, and sparkling stars.
I’m sneaking one more in under the wire for April (pretend you read it yesterday). This poem’s got nothing to do with spring, but who cares?
I love the specific, recognizable details: the gravel and the sound of tires (in fact, a sound that always somehow evoked the scrape of horses hooves on a dirt road; a sound I adored as a child. I would slowly ride my bike over the gravelly ends of neighborhood driveways, over and over, just to hear it); the laundry list of chores that inevitably await at the end of any trip away, no matter how short; the stiff limbs unfolding from the car; that ticking engine, slowly cooling in the still evening air.
And I love the “and then”, that carries your gaze from the immediate mess of arrival, to the pear tree, in the tall grass of the meadow. The perfect pears. The gratitude for home. The chores can wait just a bit longer.
But mostly what I love is how the words in this brief poem—just fourteen lines long—take me from this wooden chair, in this chilly room, in this old house, on this cold, rainy, dark spring morning to the warm summer twilight in the writer’s imagination. I read it. I feel it. I’m there. Isn’t that what good writing—good art—is all about? Letting you live for fourteen lines, or three hundred pages, or a thousand brushstrokes in another time or place or in another person’s imagination?
Besides, I believe you just can’t have enough Jane Kenyon in your life.
Humor me.
Coming Home At Twilight in Late Summer
We turned into the drive,
and gravel flew up from the tires
like sparks from a fire. So much
to be done—the unpacking, the mail
and papers; the grass needed mowing . . .
We climbed stiffly out of the car.
The shut-off engine ticked as it cooled.
And then we noticed the pear tree,
the limbs so heavy with fruit
they nearly touched the ground.
We went out to the meadow; our steps
made black holes in the grass;
and we each took a pear,
and ate, and were grateful.
– Jane Kenyon
Manys the time I’ve contemplated starting my day with a ritual.
I’ve marveled at people who begin each morning with thirty minutes of meditation, or yoga, or reading a book, or writing a book.
I want to be like those people.
I am, so far, decidedly not like those people.
Sure, I wake up early. The older I get, the earlier I wake up, still sleepy, still clinging to the last good dream, foggily awake, but only awake enough to know I need a trip to the bathroom. And on the rare mornings when I don’t wake up early on my own, the cats become my insistent alarm clocks.
But waking up is not the same as getting up. And getting up is not the same as doing something useful, or creative, or restorative, or even fun.
If I have morning rituals at all, they include a certain amount of grumbling and sighing, followed by feeding and tending to various living beings, and then making myself a cup of tea as quickly as possible.
I’m dimly aware that a morning ritual goes hand in hand with self-discipline. I’m not usually good at that. Not for a sustained period of time. And certainly not in the morning.
But, hey, anyone can improve, right? I’ve started two morning rituals this month that I haven’t shared with you yet, for no particular reason other than I hadn’t thought to do so. My early morning brain. It’s still a bit rusty.
Anyway… the first ritual is picking a favorite poem to read every morning in April in celebration of National Poetry Month. Here are the poems I’ve selected each day this month:
April 1 ~ Skunk Hour ~ by Robert Lowell
April 2 ~ Thirteen Ways of Looking at a Blackbird ~ by Wallace Stevens
April 3 ~ Mama’s Promise ~ by Marilyn Nelson
April 4 ~ Aubade ~ by Philip Larkin
April 5 ~ The River-Merchant’s Wife: A Letter ~ by Ezra Pound
April 6 ~ The Poet’s Occasional Alternative ~ by Grace Paley
April 7 ~ I Knew a Woman ~ by Theodore Rothke
April 8 ~ Now We Are Six ~ by A. A. Milne
April 9 ~ Nevertheless ~ by Marianne Moore
April 10 ~ When Death Comes ~ by Mary Oliver
April 11 ~ Some People ~ by Wislawa Szymborska
April 12 ~ Crows ~ (nursery rhyme)
April 13 ~ Oysters ~ by Seamus Heaney (on his birthday!)
April 14 ~ The Convergence of the Twain ~ by Thomas Hardy
April 15 ~ Early Sunday Morning ~ by John Stone
April 16 ~ The Summer Day ~ by Mary Oliver
April 17 ~ The Lake Isle of Innisfree ~ by W.B. Yeats
April 18 ~ Love After Love ~ by Derek Walcott
April 19 ~ Hyla Brook ~ by Robert Frost
April 20 ~ Home to Roost ~ by Kay Ryan
April 21 ~ For You ~ by Carl Sandburg
April 22 ~ The Goose-Girl ~ by Edna St. Vincent Millay
April 23 ~ Sonnet XXIX ~ by William Shakespeare (on his birthday)
April 24 ~ Litany ~ by Billy Collins
April 25 ~ The Sentence ~ by Anna Akhmatova
April 26 ~ The Love Song of J. Alfred Prufrock ~ by T.S. Eliot
April 27 ~ Foundation ~ by Edwin Morgan
April 28 ~ The Dong with a Luminous Nose ~ by Edward Lear (a favorite of H’s)
April 29 ~ Grongar Hill ~ Edward Dyer
April 30 ~ Happiness ~ by Jane Kenyon
After April 30, I won’t necessarily pick a new poem each day, but I plan to continue reading and, more importantly, writing poems after that, even if only a little bit each morning.
If you have a favorite poem (or two or twenty!), I’d love for you to share them in the comments of this post. I can always use new favorites to read and love.
My other new ritual is a set of daily photos, usually taken in the morning (but not always), from the two opposite corners of our deck. I’m posting these photos each day at this site, and will continue for a year (until April 8, 2013).
I have no goal for this ritual other than to take my camera outside each day, in all weather, and watch the slow, steady accumulation of photos turn into a blur of a year in our corner of the valley. We shall see what we shall see.
The hill will turn from brown to red to green to gold to brown to white.
The trees will grow taller.
The clouds will come and go.
Contrails will streak.
A rainbow might appear.
Orange sunrises.
Red sunsets.
Stars, planets, the moon.
Rain, fog, and snow.
A new day. Each day. Collected.
It may be Wordless Wednesday, but it’s also Seamus Heaney’s birthday, and that deserves just a few words. His, mostly.
Seamus may well be my favorite poet. I’ve seen him read three times, and every time was memorable, but possibly most memorable was one evening at Boston College, in a high-ceilinged hall, when he read this poem, and conjured with words that ship in the air, sailing over our heads.
VIII
The annals say: when the monks of Clonmacnoise
Were all at prayers inside the oratory
A ship appeared above them in the air.
The anchor dragged along behind so deep
It hooked itself into the altar rails
And then, as the big hull rocked to a standstill,
A crewman shinned and grappled down the rope
And struggled to release it. But in vain.
‘This man can’t bear our life here and will drown,’
The abbot said, ‘unless we help him.’ So
They did, the freed ship sailed, and the man climbed back
Out of the marvellous as he had known it.
– Seamus Heaney, Lightenings
[youtube=http://www.youtube.com/watch?v=iImgzuX1wxM]